In January the Italian horror doom metal masters Abysmal Grief have released their 5th full length album Blasphema Secta via Terror From Hell/Sun and Moon Records and now, 4 months later, they have embarked on an Eastern European tour to support this beautiful release.
The tour was supposed to start in Germany on the 4th of May, but the show in Loberschutz (Germany) was cancelled at the last minute so the date in Budapest became the first one of the Chapter I tour.
The third leg of the March of Blood and Iron Tour 2018 stopped in Budapest Friday,the 4th of May. Having already seen the 3 bands present on the bill before – Infernal War, Ragnarok and Marduk – I decided to go to the venue (Supersonic Blue Hell) out of curiosity and why not, for a pleasant way to spend Friday night.
Since the venue is 10 minutes from my place, I arrived there around 19.30, just in time to grab a drink and enjoy the opening act, the Poles from Infernal War. As you may know by now, their Polish date in Rzeszów was cancelled due to some assholes sabotaging the venue, in a desperate way to stop the so called “neo-nazi/satanic panic”. I won’t go into further details here, but I cannot and will not agree, never in a thousand years, with such a mindless behavior. Continue reading March of Blood and Iron Tour: Marduk live in Budapest – May 2018 AB→
I made my first audio contact with Spite after I listened to the promo I got for the release of their first full length, “Antimoshiach“, which came out a couple of months ago on the Irish label Invictus Productions.
I am usually quite reluctant when it comes to black metal made in USA (I hate the term USBM to the core), maybe out of prejudice, but there are some bands which I really like a lot.
During the 80’s, the extreme music scene was not so popular in the Central/Eastern part of Europe, compared to what happened in the democratic West. But somewhere around 1985 a young band named Tormentor popped its ugly little head from the Hungarian underground and without knowing it, they became in a couple of years a very big influence for a big part of the second wave of black metal bands, a trait which is still recognized to this very day.
Last year, when Dool‘s debut album came out, I was pretty excited of this new discovery. I listened to “Here Now, There Then” quite obsessively, being blown away by the music and the atmosphere contained in those 10 tracks and since then, I always wanted to see the band live someday. Life arranged it that after almost one year that “someday” became true last night, on the 12th of March, when Dool stopped in Budapest for their Hungarian leg of the Elate|Elevate European tour. The concert took place on the beautiful A38 ship and the Austrians from Harakiri For The Sky were chosen to open the night.
I arrived at the venue quite early, just after the gates opened and for some brief moments the quietness of the empty concert hall embraced me in its full. The merchandise stands were already prepared to welcome their customers with lots of cool things, from limited edition vinyls, metal boxes and art books to T shirts, long sleeves, patches and tote bags.
One of the best debut demo tapes released last year comes from Sweden, of course. Umea to be exact, the birth place of Malakhim, the new band in town when it comes to black metal.
Released first in October 2017 on the band’s Bandcamp page, Demo I gained immediately a “cult” status in the black metal underground, so when the tape version was officially announced one month later, it got sold out in several hours. For me that was a huge surprise, but considering how the three tracks sounded, the reaction was completely justified. When 100 copies go away in less than a day, there must be something “wrong” with your music, right? It must be that good! Continue reading Malakhim – Demo I review March 2018 AB→
Last weekend, when the 11 killed the 10, Svoid performed another show in the series which occurred since their rebirth. Even if the setting and the company were a bit peculiar (the other 2 bands present on the bill came from a totally different musical background), it was still a very good opportunity for them to share their cursed crafts with the more or less unsuspecting audience.
The night was going to be a special one for the band, and that was quite obvious from the determination and the looks the quartet adopted before entering the stage.
Yes, I said a quartet because this time Svoid were joined by T on the bass, who relieved S from his bass guitar duties, allowing him to concentrate on channeling the gods of void by only using his vocals.
I did not catch much of the first band who opened the night, Dark Tears From Space, but what I could tell after listening to a song was that their Nightwish-like approach did not suit my tastes at all, so I decided to hydrate myself with some Hungarian beverages instead.