Tag Archives: Bathory

Horde – Hellig Usvart album review – September 2017 AB

Common knowledge implies that by definition, black metal must be anti christian, blasphemic, anti life, anti humanity etc. That’s why, starting from the very beginning with Venom and Bathory, even if not serious at all, the lyrical approach, the visuals and the music were Satanic enough to scare the shit out of the humble church goers. Since then this music has evolved a lot and in today’s black metal we have reached a new level of visual and ideological blasphemy which could have never been imagined 30 years ago. If this is 100% true or just some well orchestrated circus, that is another discussion.

If we are to judge it by the book, you cannot play black metal if you do not believe in Satan. But what about christian “black metal”, can that be true? I have not heard of many such bands, but one which instantly comes to mind is Horde. And I must add that their one and only album released so far, “Hellig Usvart“, can equal in musicianship and visuals many so called true black metal albums released until now.

But what is so special about this Australian band anyway? And why did I choose it for Scrolls of Darmoth‘s Blast From the Past? First and foremost, out of nostalgia. “Hellig Usvart“, “De Mysteriis Dom Sathanas” and “The Oath of Black Blood” were the first 3 black metal albums I bought on tape in 1994. I have never heard anything similar before and for me these 3 albums changed my life.

Horde – Hellig-Usvart

Under no circumstances was I to know that what I just bought was called black metal, nor was I aware of the events surrounding Mayhem. Romania of the early 90’s was a place completely unaware of what was going on in the West. Since we did not have proper concerts or a music shop, the tape/zine trading was the only way to discover new things. But we also had bootleggers. Lots of them. I kinda miss that period, it was romantic in a way but I would never buy bootlegs again. (The covers were xeroxed and the sound quality was horrible most of the time).

When I first played Mayhem‘s album, I was in my room, with candles burning on the table. The setting was perfect, but I wasn’t prepared for what was to come. I was absolutely stunned. I did not listen to such a mystic music before, nothing I was listening to at the time compared to the evil which spewed out from the tape player. Still in shock after Mayhem, I put on Horde. When “A Church Bell Tolls Amidst the Frozen Nordic Winds” started, my imagination was already running wild. If “De Mysteriis Dom Sathanas” was cold and morbid, this album was haunting. I really enjoyed every single track, mesmerized by the blast beats, the furious riffs and the black and white xeroxed cover, which I stared at for hours. Needles to say that after I put Beherit in the tape player, my universe was completely torn apart, in a good way. I was doomed for ever!

But what was so special about Horde‘s album that made me remember it and get it out of its coffin? Well, even if over the years I realized what was actually going on with the band (the whole project was basically a christian mockery of the the so called “true black metal” current), I still found the idea “interesting” and the music very much appealing.

You probably know that Horde is a one man project of the ex drummer in Mortification, a christian death metal band who was quite busy in the beginning of the 90’s releasing some interesting albums like Mortification, Scrolls of the Megilloth or Post Momentary Affliction. At some point, after discovering the wave of black metal which erupted from Scandinavia, Jayson Sherlock aka Anonymous (sounds like Euronymous, right?) decided he had to counteract the northern blasphemy with an unblack metal album, suggestively called Hellig Usvart (Holy Unblack).

Released by Nuclear Blast in 1994, the album contains 12 songs and has a duration of almost 40 minutes. Everything on it, from the band name, the cover, to the song titles and the music does not betray the true nature of “holy beast” which is contained within the disc. Songs like “Blasphemous Abomination of the Satanic Pentagram“, “Drink from the Chalice of Blood” and “An Abandoned Grave Bathes Softly in the Falling Moonlight” might successfully have been written by any Norwegian band of the time. Apart these “horrific” song titles, Anonymous has bestowed upon us the magic of the white light in which tracks like “Invert the Inverted Cross” (one of my favorites), “Silence the Blasphemous Chanting” and the funny “Crush the Bloodied Horns of the Goat” shine like (un)black metal gems.

Do not get fooled by the strong christian message on this album, Hellig Usvart is a solid piece of brutal music, played by a very skilled musician and which has all the characteristics of a real black metal album: bad production, furious blast beats, chilling riffs, raucous voice alternating with possessed shrieks. All these, combined with the fact that Horde did not release another album after this one, make Hellig Usvart a milestone in a genre that no one knew (or cared) if it ever existed and place it, at least musically and visually, on the same level with many notorious black metal albums released at the time.

Do I still enjoy Horde after 23 years? Not only that I definitely do it, but I also want other people to )re)discover this lost, atypical jewel of black metal. Because in the end, despite his efforts to fight his eternal arch enemy, Anonymous has created (maybe involuntarily) one of the most interesting albums in this troubled history of black metal which has definitely stood the test of time.

Horde – Hellig Usvart tracklist:

1. A Church Bell Tolls Amidst the Frozen Nordic Winds
2. Blasphemous Abomination of the Satanic Pentagram
3. Behold, the Rising of the Scarlet Moon
4. Thine Hour Hast Come
5. Release and Clothe the Virgin Sacrifice
6. Drink from the Chalice of Blood
7. Silence the Blasphemous Chanting
8. Invert the Inverted Cross
9. An Abandoned Grave Bathes Softly in the Falling Moonlight
10. Crush the Bloodied Horns of the Goat
11. Weak, Feeble, Dying, Antichrist
12. The Day of Total Armageddon Holocaust

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Pagan Megalith – Ólomharangok album review – Neverheard Distro 2010

Pagan Megalith Logo

Pagan Megalith is a not a new band, but if we think that in 13 years of activity (with 6 years of hiatus) they have released only 2 albums, we might consider them a young band. But what makes this group really special are the skills and the musicianship of its members. On one hand we have Ga’eheln, (best known for his involvement in multiple Hungarian bands, like Svoid etc) on guitars and vocals, and on the other there’s AE on drums. The union of these 2 fine musicians has resulted in “Ólomharangok“, their debut album, which was spawned between 2008-2009 and released on tape 1 year later. The same year, just before recording their second full length, the band decided to put an end to its short existence and withdrew into the dark which it came from.

Pagan Megalith – Ólomharangok album cover

What we deal here with is pure Gorgoroth worship but done in the best way possible. Not only this album is not a mere copycat or a tribute band, but Pagan Megalith has put its own soul into this music, adding some really interesting passages like acoustic intros or slow, atmospheric parts. But don’t get me wrong, there are no lullabies on this album so expect plenty of double bass drums, insane blast beats and great cold, icy guitar riffs (just listen to the track “Sziklavér“) and you’ll feel like having taken a ride back to 1993.
The energy which emanates from these tracks is contagious and you just want to headbang like a maniac while the music is infecting your ears. It’s a very addictive listen and I strongly recommend it to those who are still very nostalgic about those great times when black metal was really evil, simple and to the point.

Pagan Megalith band photo

The production is flawless allowing the songs to flow in a very organic way, from start to finish. Pagan Megalith have created with “Ólomharangok” a magnificent tribute album to the golden, romantic period of black metal but they have given it a personal and quite modern touch.

The drums are excellent, imposing the rhythm all along the album, shifting from a black’n roll, groovy sound to raw black metal. Ga’eheln‘s voice is perfect for this album, his raw, scrappy vocals perfectly connecting the dots.

Overall this album is a must for every nostalgic of the great 1990’s times and a very good quintessence of the first 3 Gorgoroth albums, but with a personal feeling.
The lyrics are in Hungarian but that’s not a problem since this melodic language can be quite interesting when it comes to black metal.

The digital limited edition which can be found here features a Behemoth cover from the band’s “And the Forests Dream Eternally” EP. This groovy, Bathory inspired track is the perfect way to conclude an album which pays so much respect to the glorious dark past.

AaaaaRrrrrrggggghhhh!!! Pure Evil and Hate!!!!!

Pagan Megalith – “Ólomharangok” track list:

1. Őszi áradatba pusztul
2. Révület jövel
3. Torzult Nap
4. Ólomharangok
5. Sziklavér
6. Az idő vasfoga
7. Hamvadás
8. A gyilokjáróból
9. Nincs út közöttünk
10. Alkonyatba tűnök
11. Pure Evil and Hate (Behemoth cover – Bonus track available only on the deluxe digital version).