France has always been a serious provider of good quality extreme metal bands and during the years more and more bands formed to spread the gospel of the lord. Osculum Infame makes no exception, since this band is one of the veterans of the French black metal scene, its roots going back to 1993, the golden age of black metal, just before things started to fall apart.
In 24 years of activity under the banner of darkness, Osculum Infame have managed to release only 2 full length albums (along several EP’s and compilations), the famous Dor-nu-Fauglith released in 1997 (which became one of the milestones of the French black metal albums, both hated and revered at the same time), and Axis of Blood, the first album celebrating their return after the sleep of death between 2002-2008.
With an almost completely different line-up, (Deviant von Blakk remaining the only original member since the band’s beginnings), Osculum Infame has released the Axis of Blood on the French label Battlesk’rs in 2015. Since this album is going to be re-released at the end of this month, on the 30th of June (the original first press CD limited to 500 copies is almost sold out), I decided to honor this great release by writing some words about it.
Many years ago, a Swedish band issued a bold statement that their music was the “audial essence of pure evil”. This might have been correct 25 years ago, but now, in 2017, this statement is no longer true. One of the few bands which this sentence can apply to 100% is Sektarism and their sick music.
The perfect way to sustain this idea is “La Mort de L’Infidèle“, an album which was released by Zanjeer Zani on the 19th of May. While this is only their second full length in almost 10 years of existence, Sektarism have well established themselves as the perfect instrument of faith and devotion which spreads the love and adoration for god. This band (and the music it creates) is only a tool with which the 4 members propagate their beliefs and creeds, by writing and composing religious hymns to glorify the almighty.
What can be said of an album that has only 3 songs but lasts for more than an hour? One thing would definitely be that it’s not boring, even if its length can be discouraging. The first track, “Ô Seigneur” is more like a prayer, a litany sung to underline the faith with which the band serves their God and a perfect way to immerse you in the twisted atmosphere of the album. Then comes, with its menacing title, “Brûle L’Hérétique“, a 20 minute track during which, if you close your eyes and let your imagination flow, you can picture a town’s square, a crowd gathered to receive the daily dose of entertaining and a stake which the heretic is tied to. “Par tes langues innombrables, ronge la chair de l’athée” ( By your countless tongues, gnaw the atheist’s flesh). You can already feel the smell of burning human flesh, don’t you?
The last track, “Conscience, Révolte, Perte du Moi” is also the longest one and contains in 30 minutes the whole quintessence of Sektarism’s ideology. A “shamanik” drum starts slowly and keeps the same obsessive pace for almost the whole duration of the song, accompanied by an organized “cacophony” of sounds and possessed screams. A truly inspiring track, “Conscience” is the perfect way to end such a psychedelic and religious album.
“La Mort de L’Infidèle” is not a musical album per se, it’s a collection of 3 hymns dedicated to the glory of the Almighty. If you are looking for catchy riffs and addictive rhythms, well, you better look somewhere else cause this release, like any other Sektarism releases, is not for the faint of heart. The atmosphere is crushing, like each guitar chord weighs at least a ton. The sound is abrasive and BerZerK‘s harsh voice and desperate screams create a hysteric atmosphere, like some sect of religious fanatics are performing a sinister ceremony in an underground cave. To understand what I’m trying to describe here you must attend a Sektarism ceremony or at least watch a live video on YouTube. The effect is guaranteed, I can assure you.
Returning to the last album, well, this ain’t an easy listening. To really enjoy this album you must be in the mood, otherwise you will not understand a thing. It’s definitely not the commercial record you put on while reading a book, but once the sounds and the lyrics enter your system, you’ll be corrupted for good. The rhythm is slow as a giant anaconda slithering on the ground in search of food. Here the food is made of new souls which Sektarism looks to corrupt. First of all, the rhythm section is amazing, Kristik A.K.‘s bass is one of the heaviest I have ever heard and goes hand in hand with the obsessive drums of Shamaanik B. The guitar parts played by Messiatanik Armrek are as dissonant as possible, contributing to this psychedelic and demented atmosphere which make of “La Mort de L’Infidèle” such a powerful album. Add to all of that the vocals of Eklezias’tik BerZerK and you have the complete picture of that religious ceremony I was talking about.
All along the album, the ritualistic drums will pound their obsessive rhythm into your ears and head, driving you crazy with a mystical ecstasy. I am not joking, if you listen to this album properly, with the right atmosphere, you will most likely have the impression that you’ll start bleeding from your freshly acquired stigmata wounds.
Do you remember that famous line from Manowar‘s “Kings of Metal“: “Other bands play, Manowar kills”?. The same thing applies in this case: while (many) other bands play nowadays with this occult satanic devil worshiping thing, Sektarism is dead serious about what they sing and they really practice what they preach. There is no commercial gimmick here, only true devotion and true believers. The music on “La Mort de L’Infidèle” is like a soundtrack for penitence, an audio companion of a ceremony performed by mad zealots.
Unfortunately for those who do not speak French, they will most likely not understand the message spread out in the lyrics, but I cannot imagine Sektarism sing in any other language than French. Everything flows so well in this beautiful language and every word, every intonation will immediately loose their meaning and sense if sung in English. The mysticism of the words combined with the mysticism of the language form a powerful religious bond which, together with the instruments, make “La Mort de L’Infidèle” such a powerful and frightening album.
I totally recommend buying this majestic piece of art, since “La Mort de L’Infidèle” will soon become one of the milestones of religious music in extreme metal. Released in several formats, from the standard DLP to a Die Hard version limited to only 66 copies and from a deluxe cross shaped digipak (limited to 499 copies) to a gold tape, Sektarism‘s sophomore full length is a living testament and proof that when religion is mixed with music in a proper way, the final result can only be blasphemy.
I also want to mention the artwork of “La Mort de L’Infidèle“, which is brilliant and I really think that Mystik Dementia (drawings) and Eklezias’tik Berzerk (conception and page layout) have definitely outdone themselves. If you want to see (and listen) why I praised this album so much, just do yourselves a favor and buy it, you will not be disappointed.
En Son Nom. Ad Vitam Aeternam.
Sektarism – “La Mort de L’Infidèle” tracklist:
1. Ô Seigneur
2. Brûle l’Hérétique
3. Conscience, Révolte, Perte du Moi
Sektarism line up:
Eklezias’tik BerZerK – vocals
Kristik A.K. – bass
Shamaanik B. – drums
Messiatanik Armrek – guitars
The French mysterious doom metal outfit Sektarism have unveiled two tracks from their second upcoming album, “La Mort De L’Infidèle“, which will be released on the 19th of May AB by Necrocosm Prod’/ Zanjeer Zani Productions.
These two pieces of abrasive doom are available on the label’s YouTube page: