Tag Archives: religious music

Sektarism – La Mort de L’Infidèle album review June 2017 AB

Sektarism Logo

Many years ago, a Swedish band issued a bold statement that their music was the “audial essence of pure evil”. This might have been correct 25 years ago, but now, in 2017, this statement is no longer true. One of the few bands which this sentence can apply to 100% is Sektarism and their sick music.

The perfect way to sustain this idea is “La Mort de L’Infidèle“, an album which was released by Zanjeer Zani on the 19th of May. While this is only their second full length in almost 10 years of existence, Sektarism have well established themselves as the perfect instrument of faith and devotion which spreads the love and adoration for god. This band (and the music it creates) is only a tool with which the 4 members propagate their beliefs and creeds, by writing and composing religious hymns to glorify the almighty.

Sektarism La Mort De L’Infidèle

What can be said of an album that has only 3 songs but lasts for more than an hour? One thing would definitely be that it’s not boring, even if its length can be discouraging. The first track, “Ô Seigneur” is more like a prayer, a litany sung to underline the faith with which the band serves their God and a perfect way to immerse you in the twisted atmosphere of the album. Then comes, with its menacing title, “Brûle L’Hérétique“, a 20 minute track during which, if you close your eyes and let your imagination flow, you can picture a town’s square, a crowd gathered to receive the daily dose of entertaining and a stake which the heretic is tied to. “Par tes langues innombrables, ronge la chair de l’athée” ( By your countless tongues, gnaw the atheist’s flesh). You can already feel the smell of burning human flesh, don’t you?
The last track, “Conscience, Révolte, Perte du Moi” is also the longest one and contains in 30 minutes the whole quintessence of Sektarism’s ideology. A “shamanik” drum starts slowly and keeps the same obsessive pace for almost the whole duration of the song, accompanied by an organized “cacophony” of sounds and possessed screams. A truly inspiring track, “Conscience” is the perfect way to end such a psychedelic and religious album.

La Mort de L’Infidèle” is not a musical album per se, it’s a collection of 3 hymns dedicated to the glory of the Almighty. If you are looking for catchy riffs and addictive rhythms, well, you better look somewhere else cause this release, like any other Sektarism releases, is not for the faint of heart. The atmosphere is crushing, like each guitar chord weighs at least a ton. The sound is abrasive and BerZerK‘s harsh voice and desperate screams create a hysteric atmosphere, like some sect of religious fanatics are performing a sinister ceremony in an underground cave. To understand what I’m trying to describe here you must attend a Sektarism ceremony or at least watch a live video on YouTube. The effect is guaranteed, I can assure you.

Returning to the last album, well, this ain’t an easy listening. To really enjoy this album you must be in the mood, otherwise you will not understand a thing. It’s definitely not the commercial record you put on while reading a book, but once the sounds and the lyrics enter your system, you’ll be corrupted for good. The rhythm is slow as a giant anaconda slithering on the ground in search of food. Here the food is made of new souls which Sektarism looks to corrupt. First of all, the rhythm section is amazing, Kristik A.K.‘s bass is one of the heaviest I have ever heard and goes hand in hand with the obsessive drums of Shamaanik B. The guitar parts played by Messiatanik Armrek are as dissonant as possible, contributing to this psychedelic and demented atmosphere which make of “La Mort de L’Infidèle” such a powerful album. Add to all of that the vocals of Eklezias’tik BerZerK and you have the complete picture of that religious ceremony I was talking about.
All along the album, the ritualistic drums will pound their obsessive rhythm into your ears and head, driving you crazy with a mystical ecstasy. I am not joking, if you listen to this album properly, with the right atmosphere, you will most likely have the impression that you’ll start bleeding from your freshly acquired stigmata wounds.

Do you remember that famous line from Manowar‘s “Kings of Metal“: “Other bands play, Manowar kills”?. The same thing applies in this case: while (many) other bands play nowadays with this occult satanic devil worshiping thing, Sektarism is dead serious about what they sing and they really practice what they preach. There is no commercial gimmick here, only true devotion and true believers. The music on “La Mort de L’Infidèle” is like a soundtrack for penitence, an audio companion of a ceremony performed by mad zealots.

Les Apôtres de L’Ignominie

Unfortunately for those who do not speak French, they will most likely not understand the message spread out in the lyrics, but I cannot imagine Sektarism sing in any other language than French. Everything flows so well in this beautiful language and every word, every intonation will immediately loose their meaning and sense if sung in English. The mysticism of the words combined with the mysticism of the language form a powerful religious bond which, together with the instruments, make “La Mort de L’Infidèle” such a powerful and frightening album.

I totally recommend buying this majestic piece of art, since “La Mort de L’Infidèle” will soon become one of the milestones of religious music in extreme metal. Released in several formats, from the standard DLP to a Die Hard version limited to only 66 copies and from a deluxe cross shaped digipak (limited to 499 copies) to a gold tape, Sektarism‘s sophomore full length is a living testament and proof that when religion is mixed with music in a proper way, the final result can only be blasphemy.

I also want to mention the artwork of “La Mort de L’Infidèle“, which is brilliant and I really think that Mystik Dementia (drawings) and Eklezias’tik Berzerk (conception and page layout) have definitely outdone themselves. If you want to see (and listen) why I praised this album so much, just do yourselves a favor and buy it, you will not be disappointed.

En Son Nom. Ad Vitam Aeternam.

Sektarism – “La Mort de L’Infidèle” tracklist:

1. Ô Seigneur
2. Brûle l’Hérétique
3. Conscience, Révolte, Perte du Moi

Sektarism line up:

Eklezias’tik BerZerK – vocals
Kristik A.K. – bass
Shamaanik B. – drums
Messiatanik Armrek – guitars

Contact:
http://www.necrocosm.org
http://www.facebook.com/necrocosm.productions
https://necrocosm.bandcamp.com/
http://www.sektarism.org
http://www.facebook.com/sektarism

Other links of interest:
OBSCURANTIST (Grandeur du Nihilisme): http://www.obscurantist.org
MALHKEBRE (Religious Black music): http://www.malhkebre.org / http://www.facebook.com/malhkebre
MALEKHAMOVES (Death Metal): http://www.facebook.com/malekhamoves
THE APOSTLES OF IGNOMINY: http://www.theapostlesofignominy.org

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BATUSHKA – LITOURGIYA 2015

batushka

This band came really out of nowhere in 2015. Nobody ever heard of it before and nobody knows who its members are. Batushka released the debut album Litourgiya in December and since then hell followed with it. It was released by the Polish label Witching Hour in 4 different formats ( digipak + cd wooden box, LP+ wooden box), each version limited to a certain amount of copies.

Apparently this child of darkness comes from Poland and its name means Father in Russian, not in the familial way but in the religious one, as priest. And I can see why, a special bond between it and the listener is immediately established, slowly possessing the listener and subduing his mind.

This album, which became instantly my favorite album of the year for 2015, combines what many black metal groups have tried to do for a long time but only few have succeeded: atmosphere (Eastern Orthodox church singing, graphics, lyrics etc), fierce black metal and gloomy, blasphemic slow parts that entwine in such a malevolent way that the 41 minutes of this album seem just a mere flapping of some dying angel’s wings.

Divided in 8 parts, from Yekteniya 1 to Yekteniya 8, Litourgiya is a monster of furious black metal, with tremolo guitar riffing, insane shrieks, high speed blast beats combined with grave clean voices, mid paced, double bass drumming and fantastic guitar solos. All mixed in a sinister atmosphere where bells, thurible and choirs of mentally deranged men seem to partake in an orthodox ritual that at some point went horribly wrong.

The production is A class, every instrument can be heard very clearly and the duel of the antagonistic voices is impressive. The faster, brutal sections of the album make the slower, doomier ones even heavier, everything combining into a golem-like shape of fanatical religious ecstasy.

I cannot figure out if the lyrics are sung only in Russian or there’s Polish involved too, but that just doesn’t matter. The album is so well crafted that each song flows into each other in a very musical way but in the same time not turning this into a twisted mass of gooey music.

There is not one weak point on this album, every song is incredibly written and performed and it’s best to listen to it as a whole, to immerse yourself in the orthodox ecstasy that pours from the speakers while the music flows. Truly a masterpiece of black music and I really hope this band will not become a victim of the commercial world we live in and sell out like another (still) anonymous rock band did not some long ago.

Tracklist:

1. Yekteniya 1
2. Yekteniya 2
3. Yekteniya 3
4. Yekteniya 4
5. Yekteniya 5
6. Yekteniya 6
7. Yekteniya 7
8. Yekteniya 8

Withching Hour Productions December 2015

https://www.facebook.com/Batushka-1004746209548365/?fref=ts

batushkaofficial.com

http://store.witchinghour.pl/